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Grateful Dead Live at Carousel Ballroom on 1968-03-16

Set 1

Dark Star-> China Cat Sunflower-> The Eleven-> Good Morning Little Schoolgirl

Set 2

Morning Dew, It Hurts Me Too, Cryptical Envelopment-> The Other One-> Cryptical Envelopment-> Alligator-> Caution-> Feedback, And We Bid You Goodnight

Other artist(s): Jefferson Airplane; setlist courtesy, which notes: "Morning Dew is the set 2 opener on the master reel, but it gets rearranged to the end of side A on cassettes copies and to the end of disc #2 on the circulating CDs."

Collection GratefulDead
Band/Artist Grateful Dead
Venue Carousel Ballroom
Location San Francisco, CA

Source SBD -> (4 Track) Master Reels -> Dat (44.1k)
Lineage Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC
Transferred by Charlie Miller


-- Some minor diginoise in Caution
-- Patches needed due to unfixable Dat errors
-- Thanks to Rob Eaton for the Dat
-- Thanks to Joe B. Jones for his help with the pitch correction


Reviewer: njpg - - March 18, 2013
Subject: --
Fine early '68 show, nice clear recording.
Reviewer: doug_the_dude - - March 16, 2013
Subject: --
More sterling '68 kool-aid jam - there is a rather laid-back, sort of 'coasting' sensation they bring to some of the jams that isn't necessarily in lieu of hard works on its own terms but compared to a lot of the rest of '68 it does feel mellow, in its own way; listen to the way they handle the Eleven (after that camel-through-the-needle's eye Dark Star!).

The back half picks up some energy with the post-Alligator jam, it gets into a fine groove - Caution never really picks up off the ground but has a decent amount of energy.

To darazn1 - in Phil's book he's pretty explicit about how, during the weekend after his 28th birthday - that would be March 15, 1968, he had his 20-second meltdown that caused Jerry to later throw him down that flight of stairs. They got through the 2/14/68 Caution as one of their all-time best performances, and here there seems to be a heavy slice of the jam missing - that train-whistle-feedback insanity arrives wayyyyy too this very well could be the show the incident took place and was unrecorded - difficult to say, given that throughout the jam different musicians are 'on' and 'off' throughout the jam - Jerry takes a few bars himself early on, Pigpen and the devils alone here and there, Pig and Bobby vocalizing it....

Now, Phil himself may have got the date wrong, but the point is: don't internet-"Ummmm" someone else unless you have to your credit a more accurate source of info. Phil's book is pretty precise, FWIW.
Reviewer: rrschwz28 - - November 9, 2012
Subject: drums
Speaking of that drum segue, thank goodness Mr. Miller had the good sense not to segregate each portion of TIFTOO onto it's own separate track as so many others do ("Cryptical, Drums, TOO, Cryptical"). What a buzz kill!
Reviewer: darazn1 - - October 26, 2012
Subject: Ummmm

2/14/68 has the jam where Phil stops playing.

They made it to the end of the set here. It's not the Anthem tape.

But man, does this ever sound great!
Reviewer: Mind Wondrin - - September 14, 2012
Subject: Mary, go round
Out of the 20 or so Carousel shows in '68 this one is noted for possibly being used on Anthem of the Sun and for the brawl between Jer and Phil after Phil walked off during Caution.

It has a decent Dark Star (this plus >China>Eleven were used for the So Many Roads box though the latter were nothing above other '68s) and stellar versions of Good Morning Schoolgirl and Morning Dew. Otherwise it's average spring '68 (as opposed to, say, 2/14 or 2/23).

1st Set:  C+
2nd Set: C
2 1/2 Stars - average rating

Sets reviewed as presented on miller109944, the best source.
Reviewer: aybesea69 - - November 22, 2011
Subject: A Great Show
Very, very stong show with great sound. Aside from a vicious cut in TIFTOO, this could be another Road Trips. Also, if I'm not mistaken, this is the first time the boys used a drum segue between Cryptical and The Other One.
Reviewer: NYLifer - - March 16, 2011
Subject: Nothing wrong with this one!
What's not too like from March 1968! Kazoos at the start of feedback!
Peace, Bob
Reviewer: Pangolin22 - - February 28, 2011
Subject: Always great to go back to 68
The Dead didn't seem to put on any bad shows this year; always high energy and axploratory.
The highlight for me was the Alligator > Caution. Excellent China Cat as well.
Again, Chalie Miller has worked his magic.
Reviewer: Islam_sucks - - September 23, 2010
Subject: Masterpiece



This is the "GRATEFUL DEAD", God Help Me, that I fell in Love with.

The long "blank" tape after "The Other One" has been deleted.

Now "The Other One" fades out and "Alligator" fades in. Thank GOD for civilization!

Remember to click on the "DeadList Project" Link, then click on the "Poster" link to get the Poster for this show.

Do the same with the "ticket" link.

68' wasn't so bad if you were just a 13 year old kid like me.

Highly Recommended. A Must Have show.

Great version of "ALLIGATOR"!!!

This shows sounds as if it were performed and Recorded TODAY. Not bad for a bunch of freakin' hippies, I'm impressed.
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on 9/23/2010
Grateful Dead
by Grateful Dead
Source: Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 1; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
Grateful Dead
by Grateful Dead
Source: Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM
Grateful Dead
by Grateful Dead
( 1 reviews )
Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris
Grateful Dead
by Grateful Dead
Source: Source: 2 Sennheiser 421 microphones - up front/center> Sony TC-D5M - analog master cassettes;
Grateful Dead
by Grateful Dead
Source: AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS90 (1st set) & TDK MA90 (2nd set) with no Dolby. Set up last row of floor far right (stage left) side.
Grateful Dead
by Grateful Dead
Source: source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Grateful Dead
by Grateful Dead
Source: Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes
Grateful Dead
by Grateful Dead
Source: lineage: (2) nakamichi 300 cp4> d-5 mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Grateful Dead
by Grateful Dead
Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/First Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Grateful Dead
by Grateful Dead
( 2 reviews )
Source: MAC (Sennheiser 421s + Nakamichi 300 shotguns > Yamaha mixer > Sony D5 (Dolby B)) > MAC